Below you will find the current course offerings listed by semester and then alphabetically by department. Students and Faculty should log in to workday.simmons.edu and view the live course listings for the current semester. The current semester listings below are updated weekly. If you have any questions about these courses, please contact the Registrar's Office at or 617-521-2111.
Provides a practical and theoretical introduction to Museum Studies. Students examine how museums organize and exhibit their collections, serve diverse audiences, use new technologies and fundraise. They also apply scholarship on museum history, theory and ethics to real-world institutions. Graduate students complete supplementary assignments.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 2:00PM - 4:50PM | Heather Hole | 4 | Main Campus |
Develops the ability to read, understand, analyze and interpret a company's financial statements. Also develops decision-making skills based on accounting information that may vary according to perspective, such as investor, creditor or manager.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/22 - 2025/05/09 | Monday, Wednesday, Friday 10:00AM - 10:50AM | Ray Pfeiffer | 4 | TBD |
Introduces concepts and methods used to report business performance information to data users and managers. Assists students in making sound business decisions needed to manage organizations effectively. Students will learn the skills required for collecting, analyzing, and presenting internal financial information.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/21 - 2025/05/08 | Tuesday, Thursday 11:00AM - 12:20PM | Ray Pfeiffer | 4 | TBD |
Introduces concepts and methods used to report business performance information to data users and managers. Assists students in making sound business decisions needed to manage organizations effectively. Students will learn the skills required for collecting, analyzing, and presenting internal financial information.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 6:00PM - 7:20PM | Sheila Ruth | 4 | TBD |
This is a course in financial accounting (reporting). As the second of a two-course Intermediate Accounting sequence, it examines investments; current and long-term liabilities; leases; pensions; shareholders' equity; stock-based compensation; earnings per share; and the statement of cash flows.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/21 - 2025/05/08 | Tuesday, Thursday 2:00PM - 3:20PM | Ray Pfeiffer | 4 | TBD |
Students will learn about the use of various advanced functions of spreadsheets to become more efficient and effective in making accounting and business decisions in the corporate environment. Students will develop skills and gain knowledge through the use of hands-on exercises to be completed outside of class.
Section | Section Dates | Time | Instructor | Credits | Location |
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OL01 | TBD | TBD | Yulong Li | 2 | TBD |
The course prepares students to be effective users, evaluators, developers, and auditors of accounting information systems. At its core, the course focuses on internal controls. A key objectives is to develop the ability to evaluate information systems and to design control systems that mitigate risks associated with information systems.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 11:00AM - 1:50PM | Sheila Ruth | 4 | TBD |
Introduces the history of art based on the worldclass museum collections in the Boston area. Introduces Ancient Egyptian, Asian, Islamic, Native and South American art, as well as European art. Includes class discussion and weekly field trips to museums including the Museum of Fine Arts, and the Isabella Stewart Gardner Museum. Counts towards the art minor.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/24 - 2025/05/09 | Friday 11:00AM - 1:50PM | Kate Minniti | 4 | Main Campus |
Drawing requires developing awareness of how and what you see - perceptually, personally and culturally. In this introductory course, students develop formal/technical skills, learn to use various wet and dry media and drawing processes, and stretch the imagination while exploring the complexity of vision.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/23 - 2025/05/08 | Thursday 11:00AM - 1:50PM | Guhapriya Ranganathan | 4 | Main Campus |
This introductory studio course immerses you in the evocative and complex world of color and its applications in art, design and culture. Students learn color theory and develop technical, perceptual and conceptual skills through hands-on weekly assignments, both formal and experimental. Working in paint and mixed media, you will explore the interdependent relationship between color and issues of visual communication.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 2:00PM - 4:50PM | Colleen Kiely | 4 | Main Campus |
02 | 2025/01/22 - 2025/05/07 | Wednesday 11:00AM - 1:50PM | Colleen Kiely | 4 | Main Campus |
Presents a variety of basic printmaking processes including wood block, dry-point etching, stenciling, embossing, monotype, and digital lithography. These techniques will be used to explore the transformation of drawings, designs, and ideas into prints.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/23 - 2025/05/08 | Thursday 2:00PM - 4:50PM | Helen Popinchalk | 4 | Main Campus |
Like a poem, the art photograph often uses metaphor, allusion, rhythm, and profound attention to detail. In this course students learn to create artful photographs while acquiring the skills and craft of using a 35mm camera, developing black and white film and making gelatin silver prints in the darkroom. 35mm cameras available for students.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/22 - 2025/05/07 | Wednesday 11:00AM - 1:50PM | Hogan Seidel | 4 | Main Campus |
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 11:00AM - 1:50PM | Hogan Seidel | TBD | Main Campus |
02 | 2025/01/21 - 2025/05/06 | Tuesday 6:00PM - 8:50PM | Hogan Seidel | TBD | Main Campus |
03 | 2025/01/24 - 2025/05/09 | Friday 11:00AM - 1:50PM | Hogan Seidel | TBD | Main Campus |
Clear-eyed observation with a camera is similar to a detective solving a mystery. Students improve their photography with assignments that stretch both visual and critical thinking skills. Students engage with their unique style and vision by learning to manually operate a digital camera (DSLR) and apply Camera Raw and Photoshop to produce dynamic color prints. DSLR cameras available for students' use.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/24 - 2025/05/09 | Friday 2:00PM - 4:50PM | Melissa Taing | 4 | Main Campus |
Section | Section Dates | Time | Instructor | Credits | Location |
---|---|---|---|---|---|
01 | 2025/01/22 - 2025/05/07 | Wednesday 6:00PM - 8:50PM | Melissa Taing | TBD | Main Campus |
02 | 2025/01/27 - 2025/05/05 | Monday 8:00AM - 10:50AM | Melissa Taing | TBD | Main Campus |
Introduces painting, sculpture, and architecture from Europe and the United States made between 1600 and the present. Explores the careers of key artists and interprets objects from this period, considering such issues as obstacles and opportunities for women artists at various periods, changing views on what art should accomplish in society, and the development of unconventional approaches to art during this century. Uses the collections of the Museum of Fine Arts and the Gardner Museum to study the work of such important artists as Rembrandt, Leyster, Vigee-Lebrun, Cassatt, Monet, O'Keeffe and others.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/21 - 2025/05/08 | Tuesday, Thursday 12:30PM - 1:50PM | Shannon Bewley | 4 | Main Campus |
Develop basic painting skills while exploring the expressive potential of paint. This course instructs the beginning painter in the materials and techniques of oil painting. Students learn various indirect and direct approaches to painting-underpainting, glazing, impasto, wet-in-wet-developing formal, perceptual and critical skills. Emphasizes color as it relates to both individual expressive concerns and pictorial structure, and introduces students to examples of historical and contemporary painting.</p>
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 11:00AM - 1:50PM | Colleen Kiely | 4 | Main Campus |
Introduces a variety of photo screen printing techniques and encourages translation of photographic imagery into expressive and personal statements. Designed for students without prior experience in photography or screen printing.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/21 - 2025/05/06 | Tuesday 2:00PM - 4:20PM | Helen Popinchalk | 4 | Main Campus |
A playful digital workshop engaging students in cutting-edge editing techniques to hone their craft of archival inkjet printing. Students work on long-term projects, in color and or black and white, using digital files or film. Visiting artists and field trips to Boston's leading galleries and museums complement class investigations around critical ideas and applications. Both 35mm and DSLR cameras are available for students' use.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 2:00PM - 4:50PM | Hogan Seidel | 4 | Main Campus |
In the 19th century, artists developed new and radical ways to envision the world. Revolutionary artistic movements flourished in response to urbanization, industrialization, and colonialism. Along with these cultural forces, changes in patronage prompted artists to explore new styles and techniques like expressive color and the brand-new medium of photography. Through class discussion and site visits, students become familiar with the collections at the Museum of Fine Arts and study in person the works of Cassatt, Manet, Degas, Monet, and others.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/24 - 2025/05/09 | Friday 2:00PM - 4:50PM | Shannon Bewley | 4 | Main Campus |
Examines the Isabella Stewart Gardner Museum in depth: the patron who built it, the artworks it holds, and its professional practices today. Using the Gardner as a case study, explores historical and current approaches to curation, connoisseurship, collection building, education, archives, and community outreach. Includes multiple site visits.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/23 - 2025/05/08 | Thursday 2:00PM - 4:50PM | Heather Hole | 4 | Main Campus |
Section | Section Dates | Time | Instructor | Credits | Location |
---|---|---|---|---|---|
01 | TBD | TBD | Heather Hole | 8 | TBD |
Examines the unique perspective of health care from the cultural lens appropriate to women of color. Historical, social, environmental, and political factors that contribute to racial and gender disparities in health care are analyzed. Students will develop cultural competency tools for more effective health care delivery.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 11:00AM - 1:50PM | Dawna Thomas | 4 | Main Campus |
Examines the dimensions and patterns of African American experiences in historical and contemporary political/legal and economic perspectives. Principal topics include European American constructions and institutionalization of discriminatory belief and behavioral systems; generational effects in politics, economics, media, and education; analogous experiences of Native, Hispanic, and Asian Americans; and shaping agendas for economic and political empowerment.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/27 - 2025/05/05 | Monday 11:00AM - 1:50PM | Lena Zuckerwise | 4 | TBD |
The United States is one of the wealthiest nations in the world, yet we live in a society riddled with inequality. Too often this inequality is hidden from many Americans. The purpose of this course is to understand where inequality exists and how it is able to sustain itself. Students will read articles and books on how racism, sexism, classism, and homophobia are prevalent in society�s economic, social, and political structures. They will also examine how these create a society where some are guaranteed privileges and opportunities while others are denied it.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/21 - 2025/05/08 | Tuesday, Thursday 5:00PM - 6:20PM | Foster Kamanga | 4 | TBD |
02 | 2025/01/21 - 2025/05/08 | Tuesday, Thursday 11:00AM - 12:20PM | Foster Kamanga | 4 | TBD |
This course examines a range of films made by, for, and about Black Americans in popular commercial cinema. Students explore representations of Black people and culture, specifically how these movies characterize American race relations and critical historical periods such as slavery, Jim Crow, and the long civil rights movement.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/23 - 2025/05/08 | Thursday 11:00AM - 1:50PM | Tatiana M.F. Cruz | 4 | TBD |
Consent of instructor required.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | TBD | TBD | TBD | 4 | TBD |
Black history has been preserved largely through a rich oral tradition. This course introduces students to the theory, methods, and best practices of conducting oral histories. In this fieldwork-based class, students will examine what it means to be Black at Simmons by conducting their own oral histories with alumni.
Section | Section Dates | Time | Instructor | Credits | Location |
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01 | 2025/01/21 - 2025/05/06 | Tuesday 11:00AM - 1:50PM | Tatiana M.F. Cruz | 4 | TBD |
Black history has been preserved largely through a rich oral tradition. This course introduces students to the theory, methods, and best practices of conducting oral histories. In this fieldwork-based class, students will examine what it means to be Black at Simmons by conducting their own oral histories with alumni.
Section | Section Dates | Time | Instructor | Credits | Location |
---|---|---|---|---|---|
01 | 2025/01/21 - 2025/05/06 | Tuesday 11:00AM - 1:50PM | Tatiana M.F. Cruz | 4 | TBD |